Funereal Debauch of the Mind*

In hopeless devotion to absurd dreams
I ceaselessly spin a thin web of words:
a hurdy-gurdy turns, a sound
ridiculous yet unnerving emerges;
as the wheel rubs against the strings
the skin begins to bleed a little,
    then fists
        & skull
are slammed against the wall.

But of course,
nothing breaks that isn’t already broken…

Beauty serenely disdains to destroy me**,
so I destroy myself:
beyond the reach of sedatives or sleep,
I cut once & then cut again
        & again
            & again,
    furiously I slash
until my hand
is slick with the wet warm red
    & the blade
slips from my grip.

Now
    there is a brief moment of peace

& I survey the scene: me
    alone in a room
        covered in blood:

A fucked-up,
stupid,
ridiculous mess.

Laughter is all that is left to turn to
        but soon
that sound too becomes unnerving,
& all that is solid
melts into squalid self-pity.

Now
    what else is there to do?

I don't fucking know, so
– always one for a dramatic gesture,
for the deep allure of hysteria –
I lick away the still warm blood;
        a taste of salt,
the trace of assault
            exalted
in the crazed nature
    of what I am doing.

There is an undeniable,
self-directed
sadomasochistic pleasure to this,
which will soon turn to shame
& eventually fade
into just another memory.

So once again the impossible state:
    something both does
        & does not exist:

change,
    everything & nothing
        has changed…

***

Draped in the word-web, I begin dancing.

A proposal is made,

a proposal that this "I" is a lie,
a reified grammatical necessity,
a reference to the referent,
no more than words hidden beneath skin & skull;
words that haunt a tormented animal,
trapped within a network of veins
& a cage of flesh
that will crumble to powder one day,  
        like butterfly wings:
 
desiccated,
        useless things.

A proposal is made
that this self is a dislocated time-line,
    badly narrated
        & ultimately boring,

    a thing
severed from transcendence,
reduced to the facticity of presence
        & the unbearable density of being***.

These proposals
are to be considered at a later date,
    but I suspect
that they will be rejected.

***

I think
the medication isn’t working.

* A Short History of Decay – E. M. Cioran
** First Elegy – Rainer Maria Rilke
*** The Ethics of Ambiguity – Simone de Beauvoir

Anamorphosis

We are mirrors.

We see ourselves reflected
in the gaze of others,

& what we see
is an image;
        an idea
apperceived by another;
        a collage
of constant conjecture
& depth deception.

We are mirrors.

We need each other
to learn from & uncover
the hidden centre,
    but
       anamorphic perception
& other restrictions
demand a constant shift of position,

usually what we see
is only what we find first,

& those strange little shapes
our final impression makes,
those strange swirling patterns,
shyly mock our vision.

Tonight

For S

Somethings are better left unsaid
& in the end
does it really matter anyway?

No word can affirm or negate
the warm weight of your face
against my chest,
or the soft pressure
of your body beside me
as we slowly blend & then deliquesce;
relinquish speech
& fall asleep…

Peace,
contentment so sweet & foreign to me
that a tremulous urge to speak
begins to stir within,
but then I remember again:

Some things
are better left unsaid.

Tonight we sleep beside eachother
& nothing else matters.

Thanatos & Eros

There is something inside all of us,
Freud called it the Death drive
beacause sometimes theory
has to be expressed
as poetry:

Thanatos & Eros.

Testosterone belongs to Thanatos:
the death-drive’s in my cock;
why else a ‘little-death’
after every fuck?

But oestrogen is not Eros:
love & passion belong to nothing;
why else are they
so hard to find?

Mourning & Modern Knowledge

Permutations of motion though matter;
the ecstatic union of void & fire;
    mutation arrayed
        in differential display:

                                is this
use of language the only way
for the feeling to fade
        & finally escape
from my bones?

Can't I ever
go beyond what is here in front of me
& reach the place
        I want to be?

No.

Escaping the maze
is not an option,
so I remain trapped
in oxymoronic structures;
the point
where concept concedes to content;
    when precision
                  & all measurement
reach their limitation,
but grammar still remains needed
for practical reasons.

Without language there is
no way to express
this sense
of frustration & unease
        echoing through me,
as I witness
                unbounded expansions
ripple & sway
when thrown stones

disturb the surface of a lake,
reverberate
    in brief undulations,
        & sink
            slowly
until they can be seen
no longer:

nothing ever
disappears completely…

but you're too far away
for me to care.

Even if absences linger within
                every presence,
there's nothing comforting
in that knowledge:

what remains of the lost
    
is not enough.